Six musicians from North-Africa and South of France are gathered around the algerian singer(born in Marrakech), Abdou Bekhechi, to form Dar French Gnawa, a blend of Mediterranean flavours. “…an exhilarating perfume made of celebration and gnawa transe.”
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ABDOU BEKHECHI karkabous_darbouka_bendir_lead vocals He created the “Boukakes” in 1996 and performed nationally and internationally,
notably as the opener of Rachid Taha, Zebda, the Skatalites...
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JEAN-LUC BORLA bass_guembre_vocals Guitarist and bass player, he's started with pop and rock (Les 12, Chitchen
Itza, les Opportunistes, Poinalbouc Orchestral, Sticky Fingers ...).
From 1996 to 2005 he performs with Chico and The Gypsies (Dubaï, Turkey,
Germany, Monaco, France...). He's also created musics for theatre and dance
shows (l’Olivier - Istres / Mark Tompkins), film scores for institutional movies
and youth theatre. In 2001 he started specializing in the creation of website
soundtracks and “Mobile Web Applications” for record labels and independent
musicians. Astounded by the Gwana's music in 2008, he's been since initiated
into guembre's technique.
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DAWOUD BOUNABI drums_percussions_vocals Graduate of the MAI music school (Nancy) in 1994, Dawoud is an “ethnic jazz”
drummer. He joined several bands such as le Diwan de Mona, Misère et Cordes, Al
Barbiero Quartet, Anoune, Fwad Darwich & Dialects, Saf Sap...
He then built on his teaching skills to create the DVD “from 12/8 to 4/4” and
offers “Master Classes” taking place in many international courses (Summer Drums
Show - La Grande Motte, Summer Camp - Nevers and Cosne sur Loire, Tam Tam -
Montluçon...).
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JEROME DRU guitar_karkabous_vocals Eclectic and poly-ethnic guitarist, he instils his "multi-lack-of-discipline" in
a variety of styles such as funk-rock (Putsch), North-African and oriental
musics (Saraï, Derya Ogün, Mohammed Zeftari, Dar French Gnawa, S’aK), jazz
and improvised musics (KingKong, Quintet Zimpro, Pierre Coulon-Cerisier
WiredSystem, le Confort du Foie, BGO), electro (e-WozZ), jungle (MoSound),
polyphonic songs (Vespas), theatre (soundtracks for companies such as TNT, La
Rampe TIO, La Mangoune ...), dance (Verde Luna with Bruno Pradet, Le Nouveau
Monde with Cie Yann Lheureux) or contemporary-art experiences (Jean Morières,
Pascale Labbé, the Bal Ultra-Moderne...).
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DAJAHDEE guembre_karkabous_vocals He spent 4 years with Maâlem Azouz Soudani (cofounder of the Tyour Gnawa band)
who initiated him to the Gnawa customs and traditions (dance, songs, karkabous,
guembre). He attended many Gnawa celebrations at Essaouira, Marocco. Back to
France, he then created the ADD Jazz Trio (awarded in the 2008 Jazz festival in
Porquerolles, France) and became a cofounder of the Gnawa Tribe Collective
(including ADFG, ADD and Serafat’ al Khafaâ).
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GUIOM REGNIER keyboards_vocals He studied classical piano with Thomas Girard and jazz with Frank van Royen, at
the IMFP (Salon-de-Provence) with the pianists Pierre Camas and Mario Stanchev.
He has been performing with many bands such as Sweet Soul (funk-soul), Morning
(a jazz quartet he created ; opener of Ph. Petrucciani, Francesco
Castellani...), performs in USA, Germany, Switzerland, Belgium, Poland with “Les
Voix Provençales”, “Le Condor”. He has also been part of the “Gipsy All Stars”
project directed by Mario Reyes, (with the collaboration of Al di Meola),
performed with the Gitano Family (Dubaï ...) with Wah (with the collaboration of
A. Bekhechi), Saï-Saï (Marrakech). He is the sideman of many modern music
records as well (Nationale 7, IC June, Agathe, EKZ...).
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MIDI LIBRE
"Special mention ... Abdou, singer and percussionnist, and the five other musicians[...], this new band made of tireless
bards mixing Maghrebi and European sounds and cultures."
LA PROVENCE
"Huge energyand the trance like effect
is unrelenting
[...] For more than two hours
the audience was overwhelmed by the Gnawas."
L'HERAULT DU JOUR
"Sixplayers whose tempo and freedom are exceptional.
An accurate and most exceptionally effective groove...
An audience intoxicated by dance...
Dar French Gnawa, a name you will remember."
L'INDEPENDANT
"[..] those who last Saturday night had come to listen to the
"French Gnawas" had made the right choice."
LA MARSEILLAISE
"...some were jumping, others moving or lifting their arms...
all were unanimously in the dance, in the trance"
MIDI LIBRE
"Invigorating and joyful."
SUD OUEST
"The raw sound of the karkabous leads
the French Gnawas'caravan and their ecstatic
followers on both sides of the Mediterranean."